Acting advice| best acting classes in la
Most actors fail to effectively play each line with the purpose of achieving the goal (intention, objective) of the scene. You can remedy this by being clear on your intention so the objective behind each line comes into focus.
The goal of the scene is what you want the other person to know, do, or realize. For example, you’re on a date with a person who you think is the one, but they are on the fence. Your intention could be to have them realize they want you, too, but as an objective that is too general. Acting is about being specific. What would they have to say or do for you to know? Maybe they’d say it outright, maybe they’d look at you in a particular way. This doesn’t have to be in the script, in fact it’s more interesting if it’s not. Of course, the scene has a pre-determined destination, like they kiss at the end or he proposes to her and she accepts or not, but what makes your performance stand out is how you play each line to accomplish this objective. Acting advice| best acting classes in la
For your performance to be riveting, you’d try many different ways depending on your partner’s response. You might try to charm, to challenge, to plead, to reason, to be funny, etc. Let’s say you try to be funny, but notice through her body language that she closed off. Maybe you then try to charm her, etc. You might say, “but I have predetermined lines, I can’t just make stuff up.” Yes, you can. You can choose the subtext and that’s where all the action and fun lies. Example: You say: “I like this desert,” but what are you really saying? “I like you”, “You’re boring me.” “You entice me.”, etc. Only if you’re clear on your intention, and on the fact that each line is there to get you closer to your intention, will you make the most of each of your utterances. Acting advice| best acting classes in la
Each line the other actor speaks is to be perceived through that same perspective: Are you getting what you want? If yes, how does that make you feel? Excited, happy, disappointed (maybe it was too easy), etc. If not, maybe you’re sad, angry, etc. So many actors worry about how they feel rather than connect to their partner. Your feelings aren’t self generated, they’re generated through your reaction to whether or not you’re getting your objective.
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